Photos: Courtroom sketch artist fuses journalism and art
Mona Shafer Edwards displays a sketch she did of former rap mogul
The courtrooms of Los Angeles are where the dramas of L.A.’s rich and famous play out, and for three decades Mona Shafer Edwards has been there for some of the wildest. Pens and markers in hand — she never uses pencil, and she never erases — Edwards is among the few remaining sketch artists working today.
Mona Shafer Edwards poses next to a wall full of her courtroom sketches at her home in Los Angeles. Among the drawings is one of
A courtroom sketch by Mona Shafer Edwards depicts
(Mel Melcon / Los Angeles Times)
Richard Ramirez, known as the Night Stalker, is depicted in a sketch by Mona Shafer Edwards during his preliminary hearing in Los Angeles County Superior Court in 1985. “He was pure evil,” Edwards said. “His eyes pierced me and my blood ran cold.”
(Mel Melcon / Los Angeles Times)Advertisement
Mona Shafer Edwards, a longtime courtroom sketch artist, displays a drawing she did during the arraignment of former L.A. County Undersheriff
Stephanie Lazarus is depicted in a sketch by Mona Shafer Edwards during her 2012 murder trial in Los Angeles. Edwards first finds a feature that is prominent — anything from a hair style to lips or a nose. Then she scopes out the person’s body language, his posture and how his clothes fit. Then she draws the image in her mind, plans it out and starts the sketch.
(Mel Melcon / Los Angeles Times)
Actress Wynona Ryder is depicted in a sketch by Mona Shafer Edwards during her trial on shoplifting charges. The key, Edwards says, is to capture the person’s spirit, to draw more than a mere portrait. It is up to her to do what a camera cannot, which is to capture the humanity in the room with a human’s touch.
(Mel Melcon / Los Angeles Times)
Edwards’ sketch of the closing argument in the civil case against
(Mel Melcon / Los Angeles Times)
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Pedro Espinoza, bottom, accused of murdering Jamiel Shaw, and Judge Ronald H. Rose, top, are depicted in a sketch by Mona Shafer Edwards. “She’s the public eye in the courtroom,” Rose said. “She’s able to capture the emotion that is felt by everyone in the courtroom in a way that a camera never could.”
(Mel Melcon / Los Angeles Times)